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A more accurate title for this book, part of the publisher’s Literary Agenda series, would have been The Necessity of Speculative Fiction, as Williams confines her exploration to such works, a substantial portion of which are not what many professionals in the field would call YA literature. Drawing heavily on Kwame Anthony Appiah’s Cosmopolitanism, she proffers exegeses of Octavia Butler’s Parable of the Sower and Parable of the Talents; G. Willow Wilson’s Alif the Unseen; Rebecca Roanhorse’s Trail of Lightning and Storm of Locusts; Nancy Farmer’s The House of the Scorpion and The Lord of Opium; Nalo Hopkinson’s Brown Girl in the Ring; and Nnedi Okorafor’s Akata Witch, Akata Warrior, and Akata Woman. Of these titles, only Farmer’s and Okorafor’s were published for a YA audience, though all feature young protagonists. As an argument for the importance of an audience-defined literature, the book is feeble. Nevertheless, Williams’ readings, though at times plodding, are generally not uninteresting. She finds in these texts endorsements of Appiah’s “challenge” to embrace difference as well as repeated themes of the importance of reading broadly and well and of the danger of climate change. The book comes alive in the fourth chapter, entitled “Reading Harry Potter in Abu Dhabi.” It is in conversations with students at NYU’s Abu Dhabi campus, with representation from all over the world, that Williams sees Appiah’s cosmopolitanism in action. These students, many having read the Harry Potter books in translation and often in secret, explore an experience that is “simultaneously local and global” and tussle movingly with J.K. Rowling’s tarnished legacy due to anti-trans comments. Williams doesn’t prove her thesis, but this chapter is where she gets closest to it.

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