“What happens in the crowd is messy, wild, benevolent and beautiful,” Amanda Petrusich wrote in The New Yorker about a Swift concert. A woman attending one of the first “Barbie” showings told The Guardian she’d been waiting for it for two years: “I’ve been dying to go to a movie theater and have something that feels like a monoculture event.”

Part of what has made “Barbie” so resonant — beyond the campy pleasures of its fantastic costumes and sets — is that it treats becoming a woman as a hero’s journey. (This is also what has made its critics on the right so furious.) A pivotal moment in the movie comes when America Ferrera’s character, Gloria, gives an impromptu speech about the impossible demands made of women: “You have to never get old, never be rude, never show off, never be selfish, never fall down, never fail, never show fear, never get out of line,” she cries. “It’s too hard! It’s too contradictory!”

The important part of this monologue — spoilers ahead — is not only what it articulates, but what it accomplishes. Gloria’s words wake up Barbies whom the Kens have brainwashed into submission. “By giving voice to the cognitive dissonance required to be a woman under the patriarchy you robbed it of its power!” exclaims the film’s heroine, Stereotypical Barbie, played by Margot Robbie. It’s consciousness-raising as magic. And, ultimately, as difficult as being an adult woman is, Robbie’s Barbie chooses it over remaining in the sexless girlhood idyll of Barbieland, as we learn in the film’s perfect last line.

Given the evident hunger out there for entertainment that channels female angst, it would make sense for Hollywood, once the writers’ and actors’ strikes are over, to do more to cultivate female writers and directors. Women are still rarely given the chance to direct high-budget films; as the Center for the Study of Women in Television and Film found, women helmed only 11 percent of the 100 highest-grossing films of 2022. And looking at a list of last year’s major films, I was struck by how few of them seem to have been made with a female audience in mind, part of the reason there was so much pent-up demand for “Barbie.”

Searchlight Pictures is probably feeling good about signing Swift, who cites the “Barbie” director Greta Gerwig as an influence, to direct her feature film debut. But for the most part, unfortunately, it appears as if the lesson Hollywood is going to take from the success of “Barbie” is not to make more stories for women, but to make more movies about toys.