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In the author’s second installment in the Seamus O’Neill Mystery series, Seamus’ boss at the Ryder Detective Agency, John Ryder, knows his new part-time employee is in the office because it “smells like a distillery.” Thirty-three-year-old Seamus, a barfly and Midwestern rock musician of dwindling reputation by the 1990s, explains that his background in music helps him realize when something he is investigating is out of alignment: “There are keys and chord progressions, and, when something doesn’t work, you sense it more than see it.” He’s all ears when Mary Hoffman, one of his former lovers, asks Ryder to investigate what her younger brother Tom is up to. He’s withdrawn thousands of dollars from his account and has a shoe box full of fake documents; oddly, he also has a sudden interest in Shakespeare. Shortly after Mary contacts the detective agency, Kathy Siler hires Ryder for help in finding her missing father, multimillionaire Bertram Newman, who, like Tom, suddenly became keen on the Bard. Beautiful—and towering at well over 6 feet tall—police detective Erin Meyer and Seamus consider multiple suspects in Bertram’s disappearance, including other local Shakespeare aficionados, such as Tom’s roommate, who knew Newman. The book has an easy pace, believable dialogue, and scenes that string together cohesively. But the author tends to go too much into the weeds; a section on the numerous times one of Seamus’ fellow musicians was shot does not move the story along, and the name-checking of brand-name drinks falls flat. References to the previous book in the series are unobtrusive, and it’s engaging to see Seamus evolve from a dive-bar musician hitting on multiple young women to a thoughtful investigator crushing on Erin because of her desire to help people (but her long legs are worth a look).

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